A Chinese wucai dragon censer. Transitional period

The vessel is of bombe form, with a rounded body, pronounced shoulder, and slightly flared rim — a shape characteristic of the wide-mouthed censers produced at Jingdezhen during the seventeenth century.
The decoration is executed in wucai enamels — literally “five colours”: iron red, green, yellow, blue, and aubergine. These pigments were applied over the glaze after the initial high-temperature firing and fixed in a subsequent firing at a lower temperature.
Two four-clawed dragons are depicted in flight amid flaming wisps, confronting one another around a flaming pearl. Beneath them, stylised waves and a blue rock evoke the sea, a symbol of cosmic power. The dragons are rendered with striking vitality.

COUNTRY : China
PERIOD : Ming dynasty (1368-1644) / Transitional
MATERIAL : Porcelain
SIZE : 20 cm x 13 cm
REFERENCE : E091
STATUT : sold
Additonal informations :

This type of censer belongs to the broader group of wucai porcelains from the late Ming dynasty (1368–1644), sometimes referred to as “Transitional” when dating from the brief Ming–Qing interregnum (circa 1620–1660). Under the Wanli emperor, the kilns of Jingdezhen developed a mixed technique combining underglaze blue outlines with overglaze coloured enamels.

Such censers were often used on domestic or palace altars, paired with candlesticks and a central vase to form the ritual triptych known as san shi (三式). The wide, low form allowed hot embers to be placed inside, onto which aromatic pastilles were thrown; the flared rim helped diffuse the rising smoke.

The dragon (龙 long) is the supreme symbol of imperial power and celestial prosperity. The flaming pearl (火珠) it pursues represents perfection, wisdom, and vital energy (qi). The waves and rock symbolise the stability of the empire amid natural forces. The motif of two dragons confronting each other around the pearl (二龙戏珠 er long xi zhu) is an emblem of cosmic balance and imperial vigilance.

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