A large Chinese baluster “Mirror black” vase, Kangxi

This vase, glazed in the so-called mirror black, is decorated in gilt with floral reserves. Of baluster form with broad shoulders, a gently flaring neck and a slightly splayed foot, it displays on the main sides rectangular panels finely painted with stylised bouquets of chrysanthemums and peonies. The narrower sides are set with lotus-leaf cartouches […]

A Chinese famille rose “shanshui” charger. China, Yongzheng / Qianlong

The large circular charger is decorated in the famille rose palette. The central composition, set within a broad reserve shaped as a lotus leaf, depicts an animated landscape: in the foreground, a garden punctuated with turquoise- and blue-glazed rockwork, peonies, and flowering shrubs; at the centre, a small arched bridge spans a stream, upon which […]

An armorial charger for the French market (Robien de Treulan). China, Qianlong

A large armorial charger painted in famille rose enamels and decorated with flower sprays and garlands, featuring at its center the impaled arms of Julien-Louis-Marie de Robien (1733–1809), “D’azur à dix billettes d’argent”, and of Marie-Anne de Lesquen (1734–1792), Dame de Boizard, “De sable à trois jars d’argent becqués et membrés de gueules”.

A Chinese armorial plate for the English market (Elwick). Yongzheng

Decorated en grisaille and gilt, centered with the arms of Elwick against a backdrop of a very finely painted grisaille landscape, the rim meticulously painted with a fine grisaille and gilded diapered border with reserves of further landscape views, centered at the top with the Elwick crest, the outer edge with a scrolling gilded foliate design.

A powder blue bottle vase. China, Kangxi

This bottle vase has a globular body and a long and slender cylindrical neck. It is painted in underglaze powder blue and overglaze famille verte enamels with gold. Around the body, the bottle has three multilobed panels reserved in white and outlined in iron-red. Each of the three cartouches is decorated with a different design. […]

A Chinese famille rose brush pot. Yongzheng

The brush pot is an emblematic object of the Chinese scholar’s desk, seamlessly combining utilitarian function with aesthetic value. This piece, designed in a hexagonal shape, features a medallion on each of its six faces: three are decorated with floral motifs—chrysanthemums, apricot blossoms, among others—while the remaining three bear poetic inscriptions. Together, they create a […]