A Chinese famille rose plate depicting a scene from The Romance of the Western Chamber. Yongzheng period.
Painted in famille rose enamels and decorated with a scroll-form panel painted with a scene from Romance of the Western Chamber, surrounded by flowers and shaped panels enclosing auspicious emblems, on dense scroll ground.
A Chinese famille rose Meissen-style tureen, cover and stand. Qianlong period.
Decorated in the famille rose palette, with shaped rim, moulded mask handles with tall feather headdresses, and a pierced coronet finial, brightly enamelled and gilt with three herons in the garden of a European castle and a fourth in flight, within floral and du Paquier-style borders
A Chinese famille rose charger decorated with flowers. Yongzheng period.
Painted in the famille rose palette, with chrysanthemum, prunus and peonies.
A Chinese famille rose plate decorated with figures. Yongzheng period.
Richtly enamelled in the famille rose palette with a European young boy and a seated gentleman on a terrace watching two dogs. The border in rose-pink with honeycomb diaper and four reserves with flowerheads between formal scrollwork.
A Chinese famille rose basin. Yongzheng period.
Painted in the famille rose palette and decorated with rocks, peonies and flowers.
A Chinese plate decorated in famille rose enamels with figures. Yongzheng period.
Painted in the famille rose palette, with three figures in garden with a phoenix. Peonies and landscape on the rim.
A Chinese famille rose dish in the style of the French faïence Marseille. Qianlong period.
Decorated in famille rose enamels, with flowers in the style of the French faïence of Marseille.
A Chinese famille rose tobacco leaf plate. Qianlong period.
Painted in famille rose enamels with a Maiden Immortal poling a boat formed as a gilt-heightened underglaze-blue lotus leaf filled with flowers, surrounded by large leaves and blossoms.
A Chinese cup and saucer decorated with figures. Yongzheng period.
Cup and saucer painted in the famille rose palette, with two Chinese ladies, a rabbit and a lingzhi.
A Chinese ‘Liberty & Matrimony” tea bowl and saucer decorated after Pater. Yongzheng period.
Painted in the famille rose palette, after the painting of Pater “L’attrapeur d’oiseaux”, depicting a couple seated in a garden, the lady holding an open birdcage.