Ko-sometsuke: Chinese Porcelain for the Japanese Market

Ko-sometsuke (‘old blue and white’) porcelain was produced specifically for the Japanese market during the final decades of the Ming dynasty (1368-1644). The lack of Chinese imperial patronage during this period prompted the potters at the Jingdezhen kilns, Jiangxi province, to seek out new markets for their porcelain. This coincided with the rising popularity of […]

China of All Colours: Painted Enamels on Copper

Exhibition catalogue; Chinese painted enamels on copper are an intriguing but little-studied group of wares developed during the first half of the 18th century. These brightly coloured enamelled copper pieces were created for the imperial court, domestic and export markets, and often influenced by China’s principal artistic export, porcelain. This catalogue presents a selection of shapes and decorative motifs found in […]

Treasures from an Unknown Reign: Shunzhi Porcelain

The Shunzhi era (1644-61), marking the end of the Ming Dynasty and the beginning of the Qing, was a transitional period in Chinese history. As far as porcelain was concerned, until the last 20 years, it was a little-known reign not only in the West but in China itself. By the late 1630s, painters on porcelain […]

Chinese Porcelain in the Conde Collection

The Chinese porcelain objects collected by Álvaro Conde constitute one of the finest private collections worldwide. This publication includes texts by leading experts in this area: an introduction by Christie¿s Becky Mcquarie, a main essay by porcelain specialist William Sargent and an essay about business relationship between China and New Spain by Maria Bonta de […]