Decorated in famille verte enamels on the biscuit, standing on four feet and looking to the right, with moveable eyeballs and on an Artemisia leaf-shaped base which symbolized the driving away of evil.
Decorated in famille verte enamels on the biscuit, standing on four feet and looking to the right, with moveable eyeballs and on an Artemisia leaf-shaped base which symbolized the driving away of evil.
Jorge Welsh published a very similar lion in Biscuit: Refined Chinese Famille Verte Wares, 2012, p. 180.
There is a pair of lions shaped like this one in the Metropolitan Museum of Art in New York and another one in the British Museum (London).
Buddhist lion were often represented in pairs, one male and one female. In China, small incense burners such as the present example were generally used on the domestic altar, but they were also commonly used to scent the interior of a house. In Chinese, joss sticks are called “shi chen xiang“, which means “hour” incense. This indicates that they were also used to mark the passing of time. Although the final destination of this group is not known, it is clear that this shape was popular for export. Chinese Buddhist lions were also known as “Dogs of Fô” in the West.
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