Additonal informations :This scene of Christ’s birth comes from a New Testament illustration (Luke 2: 16-17) by Dutch artist Jan Luyken (1649-1712), identified by Jörg. Most likely an engraving of the design was sent by ship to China, where this plate was made for the Dutch market.
In addition to the Nativity, Chinese painters adapted Luyken’s illustrations of the Crucifixion, Resurrection, and Ascension for various export goods. As Hervouët and Bruneau note, the curious object in the center background is probably a large harvest basket filled with fruits.The presence of the slumbering donkey, while the adoration is taking place, is a clear anti-semitic reference. The subject is known surrounded by a variety of borders, and also with polychrome enamels (see Quinta das Cruzes Museum, Funchal).
Bibliography :
Beurdeley, M., Chinese Trade Porcelain, 1962, cat. 225.
Brawer, C., Chinese Export Porcelain from the Ethel Liebman and Arthur L. Liebman Porcelain Collection, 1992, no. 108.
Gordon, E., Collecting Chinese Export Porcelain, 1997, pl. X.
Hervouët F. & N.; Bruneau, Y., La porcelaine des Compagnie des Indes à décor Occidental, 1986, no. 11.12.
Howard, D., Ayers, J., China for the West : Chinese Porcelain and others Decorative Arts for Export illustrated from the Mottahedeh Collection, 1978, vol. I, nos. 305.
Jörg, C, Chinese Ceramics in the Collection of the Rijkmuseum, Amsterdam: the Ming and Qing Dynasties, 1997, no. 322.
Le Corbeiller, C., China Trade Porcelain : Patterns of Exchange, 1974, fig. 29.