A Chinese ‘Liberty & Matrimony” tea bowl and saucer decorated after Pater. Yongzheng period.
Painted in the famille rose palette, after the painting of Pater “L’attrapeur d’oiseaux”, depicting a couple seated in a garden, the lady holding an open birdcage.
A Chinese sugar pot with a european subject. Qianlong period.
Decorated with an european subject in famille rose enamels, with a “scene galante”.
A pair of Chinese export plates with Dutch enamelled decoration. Yongzheng period.
Chinese pair of plates, with a Dutch enamelled decoration, in the Kakiemon style with birds, parrots and oriental themes.
A pair of Chinese plates decorated with “The leaping pekinese” after a design attribued to the Cornelis Pronk studio. Qianlong period.
Each decorated at the centre in blue enamel with a leaping pekinese dog, the iron-red trellis border reserved with parrot and other bird cartouches.
A Chinese imari « Governor Duff » plate. Yongzheng period.
Finely decorated in the traditional imari palette, the centre with a European couple, traditionnaly thought to be Governor Duff and his wife, standing on a garden terrace beside a hound, within an elaborate floral border with four clusters of the Hundred Antiques.
A pair of Chinese famille rose plates decorated in the Meissen style. Yongzheng period.
Decorated in famille rose enamels and gold, in the Meissen style, with a central scene depicting a bird flying over peonies and rocks, in a shaped cartouche ; the rim with sprays of flowers.
An unusual Chinese famille rose “cockerel” plate. Qianlong period.
Enameled as the centre with two cockerels, one perched on blue pierced rockwork beside three peonies, within a band of gilt spearheads in the well and a bold and stricking design of shells at the border below the foliate rim.