A Chinese silvered famille rose plate. Yongzheng period.

Finely enamelled to the central octafoil panel with a lady playing the qin among archaic vessels and a chest of drawers, reserved on a trellis-pattern ground encircled by a stylised lotus scroll, the rim with cartouches of flowers alternated with iron-red ground cartouches of flower scrolls, reserved on a silver-grey ground

A pair of Chinese famille rose “pseudo-tobacco leaf” plates. Qianlong period.

Brightly enamelled in the famille rose palette and gilt, with a pair of crested ducks, undoubtedly mandarins, one swimming, the other situated on a blue underglaze mound punctuated with gilding. The ducks, the Chinese symbol of fidelity, are looking at one another. The one on the right, undoubtedly male, looks as if it had been […]